Alain Resnais (French: [alɛ̃ ʁɛnɛ]; 3 June 1922 – 1 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Night and Fog (1956), an influential documentary about the Nazi concentration camps.
Alain Resnais (French: [alɛ̃ ʁɛnɛ]; 3 June 1922 – 1 March 2014) was a French film director and screenwriter whose career extended over greater than six decades. After training as a film editor in the mid-1940s, he went upon to dispatch a number of rushed films which included Night and Fog (1956), an influential documentary approximately the Nazi amalgamation camps.
Resnais began making feature films in the late 1950s and consolidated his in the future reputation with Hiroshima mon amour (1959), Last Year at Marienbad (1961), and Muriel (1963), all of which adopted well along narrative techniques to unity with themes of fearful memory and the imagined past. These films were contemporary with, and associated with, the French New Wave (la nouvelle vague), though Resnais did not regard himself as physical fully allowance of that movement. He had closer connections to the “Left Bank” group of authors and filmmakers who shared a loyalty to modernism and an fascination in left-wing politics. He also acknowledged a regular practice of working upon his films in collaboration with writers before unconnected similar to the cinema such as Jean Cayrol, Marguerite Duras, Alain Robbe-Grillet, Jorge Semprún and Jacques Sternberg.
In unconventional films, Resnais moved away from the overtly political topics of some previous works and developed his interests in an relationships between cinema and supplementary cultural forms, including theatre, music, and comic books. This led to imaginative adaptations of plays by Alan Ayckbourn, Henri Bernstein and Jean Anouilh, as capably as films featuring various kinds of popular song.
His films frequently study the connection between consciousness, memory, and the imagination, and he was noted for devising militant formal structures for his narratives. Throughout his career, he won many awards from international film festivals and academies.