Alan Ball

I'm from the South, so while I personally find it impossible to live there, I still ...
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Television viewing has become for me a completely different experience, because I don't watch shows on ...
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Death is a companion for all of us, whether we acknowledge it or not, whether we're ...
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When I go home, the last thing I want to do is read about the popular ...
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We live in a time where there's an alienation factor. There's a certain disconnection. We don't ...
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As a writer, it's fun to create. And once you get into a long-running show with very established characters and a very established tone and format, after a while it's a really great job, but that's what it is - a job.

Beauty is in the strangest places. A piece of garbage floating in the wind. And that beauty exists in America. It exists everywhere. You have to develop an eye for it and be able to see it.

Death is a companion for all of us, whether we acknowledge it or not, whether we're aware of it or not, and it's not necessarily a terrible thing.

Happy relationships are boring. We all want them in our own life. But I don't want to watch them on TV.

Directing is physically exciting because there's a ticking clock, you're working with people, it's very social, it's very enjoyable.

Death showed up in my life very early on, so I'm aware of it. If you look at most of the things I write there's a sort of contemplation of mortality - although 'True Blood' doesn't fall into that. Even though there's such a ridiculously high body count!

I am so spoiled. I cannot watch a show where it gets interrupted for ads. I have to TiVo it and skip through the ads, because the culture of advertising is so false and phony that I just... ugh, you know?

I always choose to look, as much as one can, at the supernatural not being something that exists outside of nature, but a deeper, fundamental heart of nature that perhaps humans... have lost touch with. It's a more primal thing than perhaps we are attuned to in our modern, self-aware way of life.

I believe forgiveness is possible for everybody, for everything, but I'm a Buddhist.

I certainly believe that what we perceive as humans is just the tip of the iceberg. I don't necessarily believe in vampires or werewolves or that kind of thing, but I believe there is definitely a realm we don't necessarily have access to.

I don't really know what it is about vampires that makes them such a powerful symbol, metaphor, whatever in people's consciousness. But I do know they're tremendously powerful. I mean, there's a vampire on 'Sesame Street.' And Count Chocula. I don't know why it's so powerful.

I definitely see the good in people. Certainly in my own life I strive to be somebody who is functional and well adjusted and can face conflict in a non-emotional and non-destructive way, and those are the people I try to surround myself with in my life. But as characters, they bore me.

I know a lot of shows are like, 'Here's the pages,' right before they start filming. I'd have a heart attack. The anxiety would be way too much for me. I don't have as strong a backbone as those other show writers.

I guess in America we're so sold on this ideal of the perfect, well-adjusted family that is able to confront any conflict and, with true love and understanding, work things through. I'm sure they do exist, but I never knew any of them.

I need to feel like the work I'm doing is not necessarily important, but meaningful, at least to me, because otherwise it just becomes a day job. It just becomes factory work and I get really frustrated.

I really feel like my goal, and I don't always achieve it, is to do the best work I can do, and stay out of the results. Because ultimately, the result is not what the work is about. There are other people whose jobs are to focus on those results and maximize them, and that's great. Let them do their job.

I think all writers are armchair psychologists to some degree or another, and I think a character's sexuality is fascinating. It's a great way to really get at the root of their identity, because it's such a personal thing.

I think it's very difficult, and it requires a tremendous amount of spiritual integrity and discipline, to not be a narcissist in a culture that encourages it every step of the way.

I think the world is a place for oddballs and freaks. I'm only interested in oddballs and freaks as characters.

I think sexuality is a window into someone's soul.

I think there's a lot of interesting stuff on TV. I feel much more optimistic about TV than I do about movies. There will always be good movies but I think, for the most part, it's always going to be a huge fight to get those movies made. TV is the best place to be as a writer, I think.

I was conveniently bisexual for a long time, and then I went, 'Come on, who am I kidding?' And I have to say, it was the single biggest step I took toward emotional well-being, to stop feeling like I had to hide who I am.

I'm 53. I don't care about high school students. I find them irritating and uninformed.

I'd seen 'Interview with A Vampire' and saw Dracula movies growing up, but I never thought, 'I love vampires, I have to do a show about vampires.'

I will say that the environment I grew up in was not the most progressive.

I'm a Buddhist, so one of my biggest beliefs is, 'Everything changes, don't take it personally.'

I'm a huge freak, and always have been. I spent the first part of my life trying really desperately not to be one, and it was just a waste of time.

I'm aware of 'Twilight,' but I've never seen the movies or read any of the books. Frankly, the story leaves me cold - why do a vampire story about abstinence?

I'm at the point in my life where I don't want to work as hard. Actually, I've had to take a good hard look at workaholism and it's effect on one's mental health.

I'm from the South, so while I personally find it impossible to live there, I still have a fondness for it as a geographical region.

I'm not saying that being gay is what defines me, but at the same time, if you feel like you have to hide it, then it becomes what defines you. You keep it hidden, and the secret becomes you.

I'm not like J.K. Rowling, where I know there's going to be this number of seasons, and I know exactly what's going to happen. I would be so bored if that was the case. There would be no journey. There would be nothing to discover.

In my own life, I think legends of supernatural, mythic things are really just a manifestation of the collective unconscious. So I don't really get freaked out. I mean certainly, you read about things people did to each other in the pursuit of some mystical or occult goal, and it's horrifying. But that's just human nature.

I'm used to American actors who have a movie career thinking television acting is beneath them.

It's hard for me to get interested in stories that ignore death, which is what American marketing culture would like to do: pretend that death doesn't exist, that you can buy immortality, just buy these products, and you'll be forever young and happy.

Most of us live in artificial environments and then we go to work in artificial environments and the world becomes something that you see through a window.

It's easy to look at the vampires as a metaphor for any feared or misunderstood group. It's also easy to look at them as a metaphor for a shadow organization that says one thing and has a completely different agenda on their mind, and anybody who gets in their way, they just get rid of them. Does that sound familiar?

My own belief is that people can come back from anything. It doesn't mean that it won't come at a huge cost.

'Six Feet Under' was about repressing our deepest, most primal impulses, and 'True Blood' is about giving full sway to them all the time. In a way they are like yin and yang.

Racism is ridiculous no matter where it's coming from.

Somebody asked me, 'Why do people like vampires so much?' This was right after Obama had been elected and I said, 'Because we just spent eight years being sucked dry by one.'

Television viewing has become for me a completely different experience, because I don't watch shows on a weekly basis. I wait until the DVD or I TiVo everything and wait until the end of a season and watch it all over a weekend. For me that's a really satisfying experience, like reading a book.

There are times when I am directing, and there are a couple of moments I didn't get the way I wanted, but I know I still have other angles to shoot and I have to be done by noon, I move on.

The ego is kind of a big, unwieldy thing. It's not so easily tamed or subdued.

'True Blood' differs from 'Six Feet Under' in that there are way more characters and plot-lines, but fundamentally it's still about the characters and their emotions.

There is a fetishization of victimization in our culture. And I just am not interested in victimhood.

We live in a time where there's an alienation factor. There's a certain disconnection. We don't have any real sense of community anymore.

We live in a patriarchal culture. It's okay for women to be objectified but not for men.

Vampires are total sexual metaphors, there's just no way around that.

When I go home, the last thing I want to do is read about the popular lore of vampires.

Well, here's the thing with relationships on 'True Blood': Once they happen then you have to throw a monkey-wrench into them, because to have people be happy is not that exciting.

You cannot hold a child accountable to the same standards that you hold an adult accountable to.