Aleksandar Živojinović,(born 27 August 1953) better known by his stage name Alex Lifeson, is a Canadian musician, songwriter, and record producer, best known as the guitarist and backing vocalist of the progressive rock band Rush. In 1968, Lifeson co-founded the band that would later become Rush, with drummer John Rutsey and bassist and lead vocalist Jeff Jones. Jones was replaced by Geddy Lee a month later, and Rutsey was replaced by Neil Peart in 1974.
Aleksandar Živojinović,(born 27 August 1953) better known by his stage name Alex Lifeson, is a Canadian musician, songwriter, and stamp album producer, best known as the guitarist and support vocalist of the progressive stone band Rush. In 1968, Lifeson co-founded the band that would future become Rush, with drummer John Rutsey and bassist and lead vocalist Jeff Jones. Jones was replaced by Geddy Lee a month later, and Rutsey was replaced by Neil Peart in 1974.
With Rush, Lifeson played electric and acoustic guitars, as skillfully as additional string instruments such as mandola, mandolin, and bouzouki. He along with performed encouragement vocals in rouse performances as capably as the studio albums Rush (1974), Presto (1989) and Roll the Bones (1991) and occasionally played keyboards and bass pedal synthesizers. Like the further members of Rush, Lifeson performed real-time on-stage triggering of sampled instruments. Along taking into account his bandmates Geddy Lee and Neil Peart, Lifeson was made an Officer of the Order of Canada on 9 May 1996. The trio was the first stone band to be consequently honoured as a group. In 2013, he was inducted taking into consideration Rush into the Rock & Roll Hall of Fame. Lifeson was ranked 98th on Rolling Stone’s list of the 100 greatest guitarists of whatever time and third (after Eddie Van Halen and Brian May) in a Guitar World readers’ poll listing the 100 greatest guitarists.
The bulk of Lifeson’s take effect in music has been as soon as Rush, although Lifeson has contributed to a body of behave outside the band as well. Aside from music, Lifeson has been a painter, a licensed jet pilot, an actor, and the part-owner of a Toronto bar and restaurant called The Orbit Room.
Lifeson was born Alexandar Živojinović (Serbian: Александар Живојиновић) in Fernie, British Columbia. His parents, Nenad and Melanija Živojinović, were Serb immigrants from Yugoslavia. He was raised in Toronto. His also called of “Lifeson” is a semi-literal translation of the surname Živojinović, which means “son of life” in Serbian. Lifeson’s first exposure to formal music training came in the form of the viola, which he renounced for the guitar at the age of 12. His first guitar was a Christmas present from his father, a six-string Kent classical acoustic which was difficult replaced by an electric Japanese model. During his adolescent years, he was influenced primarily by the likes of Jimi Hendrix, Pete Townshend, Jeff Beck, Eric Clapton, Jimmy Page, Steve Hackett, and Allan Holdsworth; he explained in 2011 that “Clapton’s solos seemed a Tiny easier and more approachable. I recall sitting at my record performer and touching the needle encourage and forth to get the solo in ‘Spoonful.’ But there was nothing I could accomplish with Hendrix.” In 1963, Lifeson met well along Rush drummer John Rutsey in school. Both avid in music, they decided to form a band. Lifeson was primarily a self-taught guitarist when the on your own formal recommendation coming from a tall school friend in 1971 who taught classical guitar lessons. This training lasted for on the order of a year and a half.
Lifeson recalls what inspired him to measure guitar in a 2008 interview:
Lifeson’s first girlfriend, Charlene, gave birth to their eldest son, Justin, in October 1970. The couple married in 1975, and their second son, Adrian, was born two years later. Adrian is also vigorous in music, and performed upon two tracks from Lifeson’s 1996 solo project, Victor.
Lifeson’s neighbour John Rutsey began experimenting on a rented drum kit. In 1963, Lifeson and Rutsey formed The Projection, which eventually became Rush in August 1968 following the recruitment of native bassist and vocalist Jeff Jones. Geddy Lee, a tall school friend of Lifeson, assumed this role soon after.
Instrumentally, Lifeson is well-known for his signature riffing, electronic effects and processing, unorthodox chord structures, and the copious arsenal of equipment he has used higher than the years.
Rush was on hiatus for several years starting in 1997 owing to personal tragedies in Neil Peart’s life, and Lifeson had not picked stirring a guitar for at least a year similar to those events. However, after some show in his home studio and on various side projects, Lifeson returned to the studio with Rush to start work on 2002’s Vapor Trails. Vapor Trails is the first Rush album previously the 1970s to dearth keyboards—as such, Lifeson used more than 50 swap guitars in what Shawn Hammond of Guitar Player called “his most rabid and experimental playing ever.” Geddy Lee was acceptable to rejection keyboards off the album due in share to Lifeson’s ongoing situation about their use. Lifeson’s admission to the guitar tracks for the album eschewed time-honored riffs and solos in favour of “tonality and harmonic quality.”
During living performances, he used foot pedals to cue various synthesizer, guitar, and support vocal effects as he played.
While the bulk of Lifeson’s ham it up in music has been afterward Rush, his first major outside produce a result was his solo project, Victor, released in 1996. Victor was certified as a self-titled work (i.e. Victor is recognized as the artist as skillfully as the album title). This was done carefully as an swap to issuing the album explicitly under Lifeson’s name. The title track is from the W. H. Auden poem, also entitled “Victor”. Both son Adrian and wife Charlene next contributed to the album.
Lifeson has also contributed to a body of take steps outside his involvement when the band in the form of instrumental contributions to additional musical outfits. He made a guest appearance on the 1985 Platinum Blonde album Alien Shores performing guitar solos upon the songs “Crying Over You” and “Holy Water”. Later, in 1990, he appeared upon Lawrence Gowan’s album Lost Brotherhood to perform guitar. In 1995, he guested on two tracks upon Tom Cochrane’s Ragged Ass Road album and later in 1996 upon I Mother Earth’s “Like a Girl” from the Scenery and Fish album. In 1997, he appeared upon the Merry Axemas: A Guitar Christmas album. Lifeson played “The Little Drummer Boy” which was released as track 9 on the album. In 2006, Lifeson founded the huge Dirty Band, which he created for the point of providing original soundtrack material for Trailer Park Boys: The Movie. Lifeson jammed regularly later than the Dexters (the Orbit Room home band from 1994 to 2004). Lifeson made a guest appearance upon the 2007 album Fear of a Blank Planet by UK progressive stone band Porcupine Tree, contributing a solo during the song “Anesthetize”. He as well as appeared upon the 2008 album Fly Paper by Detroit vanguard rockers Tiles. He plays on the track “Sacred and Mundane”. Outside band combined endeavours, Lifeson composed the theme for the first season of the science-fiction TV series Andromeda. He with produced three songs from the album Away from the Sun by 3 Doors Down. He was executive producer and contributor to the 2014 album “Come to Life” by Keram Malicki-Sanchez – playing guitar on the songs “Mary Magdalene”, “Moving Dark Circles” and “The Devil Knows Me Well,” and later on Keram’s subsequent singles “Artificial Intelligence,” (2019), “That Light,” (2020) and “Rukh.” (2021). Alex Lifeson is featured upon Marco Minnemann’s 2017 release Borrego, on which he played guitars on three songs and co-wrote the track “On That Note”. In 2018, he played benefit guitar upon Fu Manchu’s 18-minute mostly instrumental track “Il Mostro Atomico” from the group’s Clone of the Universe album.
On June 15th 2021, Lifeson released 2 further instrumental songs, “Kabul Blues” and “Spy House” on his website alexlifeson.com. The songs were released as a self titled project. Andy Curran played bass upon both songs, and drums on “Spy House” were finished by David Quinton Steinberg.
Lifeson made his film debut as himself under his birth make known in the 1973 Canadian documentary film Come upon Children.
He has appeared in several installments of the Canadian mockumentary franchise Trailer Park Boys. In 2003, he was featured in an episode titled “Closer to the Heart”, playing a partly fictional savings account of himself. In the episode, he is kidnapped by Ricky and held as punishment for his inability (or refusal) to have enough money the main characters with pardon tickets to a Rush concert. In the stop of the episode, Alex reconciles taking into account the characters, and performs a duet of “Closer to the Heart” with Bubbles at the billboard park. In 2006, Lifeson appeared in Trailer Park Boys: The Movie as a traffic cop in the launch scene and in 2009 he appeared in their follow stirring movie, Trailer Park Boys: Countdown to Liquor Day, as an undercover vice cop in drag. In 2017, Lifeson appeared in an episode of the spin-off series Trailer Park Boys: Out of the Park: USA titled “Memphis.” He as a consequence voiced immense Chunk in the first season of Trailer Park Boys: The Animated Series.
In 2008, Lifeson and the descend of Rush played “Tom Sawyer” at the end of an episode of The Colbert Report. According to Colbert, this was their first appearance on American television as a band in 33 years.
In 2009, he and the flaming of the band appeared as themselves in the comedy I Love You, Man.
Lifeson appears as the border protect in the 2009 movie Suck.
Lifeson and bandmate Geddy Lee take steps the series Chicago Fire, season 4, episode 6, called “2112”, which first aired upon November 17, 2015.
The role of Dr. Funtime in The Drunk and On Drugs Happy Funtime Hour was originally written similar to Lifeson in mind, but due to scheduling conflicts the role was fixed idea to Maury Chaykin instead.
Lifeson has penned forewords to three books: Behind the Stage Door by Rich Engler in 2013; Shredders!: The Oral History Of Speed Guitar (And More) by Greg Prato in 2017; and Geddy Lee’s Big pretty Book of Bass by Geddy Lee in 2018.