Voice quotes:
A. R. Rahman about Voice:
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Your inner voice is the voice of divinity. To hear it, we need to be in solitude, even in crowded places.
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Aaron Neville about Living:
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People are living a lot longer these days and not preparing for it. I'm in the gym and, you know, using my voice.
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Aaron Neville about Today:
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That's one thing you hear in my voice today. I could yodel from one octave to another octave. It always fascinated me.
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Aaron Sorkin about I Am:
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I am all for everyone having a voice, I just don't think everyone has earned the microphone. And that's what the Internet has done.
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Abby Elliott about Fun:
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There are some different things I'm writing and developing, but I don't know where they'll go. They're fun stuff that I would be in and are written in my voice, for me.
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Abigail Adams about Voice:
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If particular care and attention is not paid to the ladies, we are determined to foment a rebellion, and will not hold ourselves bound by any laws in which we have no voice, or representation.
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Action Bronson about Beautiful:
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I don't wanna be preached to. Unless it's in a beautiful voice, I don't want that.
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Adam Levine about Love:
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'The Voice' is built on positivity. Once we started filming, I knew that America was really going to love it.
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Adele about Day:
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I've been singing properly every day since I was about fifteen or sixteen, and I have never had any problems with my voice, ever. I've had a sore throat here and there, had a cold and sung through it, but that day it just went while I was onstage in Paris during a radio show. It was literally like someone had pulled a curtain over it.
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Adoniram Judson about Great:
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I never realized what a great privilege it is to be able to use the voice for Christ until I was deprived of it.
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Aharon Appelfeld about Voice:
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The writer in western civilization has become not a voice of his tribe, but of his individuality. This is a very narrow-minded situation.
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Al Madrigal about Start:
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There are comics in L.A. doing impressions, and the first thing they do is hunch over and then start to do this bad Rick Moranis voice I do as well when I really get going. It's pretty horrible.
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Alan Bates about Voice:
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Occasionally I do things against my inner voice, but you really should go for the thing that touches you most-even if you don't quite know why it does.
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Alan Furst about War:
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Le Carre's voice - patrician, cold, brilliant and amused - was perfect for the wilderness-of-mirrors undertow of the Cold War, and George Smiley is the all-time harassed bureaucrat of spy fiction.
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Alan Jackson about Voice:
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I mean, my voice has gotten a little deeper sounding as I've gotten older, I think. I noticed that.
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Alan Price about Voice:
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I tend to think of the organ as part of the rhythm section, rather than a frontline voice.
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Alan Thicke about Social Media:
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In terms of social media, I try to have my voice heard loudly in the cacophony of other influences whether from television and the Internet or social media... I want my voice to be heard in terms of the standards and values that I try to pass on to my kids.
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Albert Murray about Time:
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As any competent student of literary composition knows, the more natural and casual a voice sounds in print, the more likely it is to have been edited time and again.
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Alcee Hastings about World:
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The world is better because of Coretta Scott King. She affected countless lives and her voice will be deeply missed, especially by those who carry on her incredible undertaking.
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Aleksandr Solzhenitsyn about Justice:
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Justice is conscience, not a personal conscience but the conscience of the whole of humanity. Those who clearly recognize the voice of their own conscience usually recognize also the voice of justice.
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Alessia Cara about People:
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I guess people don't think that young girls or young artists have opinions, but I'm so glad that there's artists like Lorde and Raury and Kehlani because they're showing other people that young people can have an opinion and a voice and do really well with it. I'm glad I can be one of those people.
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Alex Newell about Passion:
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Singing is my passion, regardless of anything else that I've ever done. That's the one thing that no one can ever take away from me is my voice, and that is what I really want to do.
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Alexander Chee about Voice:
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I had been in a professional boys' choir, and as a boy soprano, you're aware that your voice has an expiration date.
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Alexander Chee about Voice:
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Lilliet Berne, La Generale, newly returned to Paris after a year spent away, the Falcon soprano whose voice was so delicate it was rumored she endangered it even by speaking, her silences as famous as her performances.
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Alexander Gould about Myself:
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In 'Finding Nemo,' all of the voices were recorded separate - so I would be in a sound booth in a studio by myself reading the lines with just the director. Basically, you can just come in, and it doesn't matter what you are wearing or what you look like, it is all about how your voice sounds.
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Alexander Gould about Fish:
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It was really weird when I heard my voice coming out of a fish.
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Alexander Hamilton about God:
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The voice of the people has been said to be the voice of God, and, however generally this maxim has been quoted and believed, it is not true to fact. The people are turbulent and changing, they seldom judge or determine right.
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Alexander Payne about Voice:
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'Independent' means one thing to me: It means that regardless of the source of financing, the director's voice is extremely present. It's such a pretentious term, but it's auteurist cinema. Director-driven, personal, auteurist... Whatever word you want.
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Alfonso Cuaron about Voice:
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I was not aware of how much I loved 'Canoa' until I saw it after doing 'Y Tu Mama Tambien' and realized that my voice - over about the story's historical context - that narrator - came from 'Canoa'.
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Alfred Lunt about Success:
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The secret of my success? I speak in a loud clear voice and try not to bump into the furniture.
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Alice Smith about Good:
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I started to like my voice - the sound of it. So then I started to listen to it as something separate. To me, it sounded good that way as well.
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Alice Walker about People:
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If you deny people their own voice, you'll have no idea of who they were.
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Alison Goldfrapp about Dad:
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My dad used to ignore me when I was a kid. He couldn't stand my voice, so he just used to ignore me, and then he'd impersonate me.
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Alison Moyet about Man:
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The press gave me a voice too quickly, and that could have unsettled a man who had every right to feel he should be in control of the thing he had created.
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Alison Moyet about Voice:
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The press Yazoo were receiving were focused on the voice, This obviously was about trends.
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Alla Nazimova about Art:
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Sincerity and the correct use of the voice are the greatest things in the art of acting.
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Allen West about Election:
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You had 42 blacks that ran on the Republican ticket this Cycle, 14 made of them made it to the general election and two of us made it to the House of Representatives. So I think that there is a new movement that needs to have a voice in the Congressional Black Caucus.
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Alma Gluck about Voice:
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In the piano, one has the instrument complete before he begins, but in the case of the voice, the instrument has to be developed by study.
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Alma Gluck about Simple:
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When the student has her voice under complete control, it is safe to take up the lyric repertoire of Mendelssohn, Old English Songs, etc. How simple and charming they are!
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Aly Michalka about Goal:
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You really have to have a voice, especially as a female. You've got to be strong-minded and really focus on what your goal is - you can't be all over the place.
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Amanda Seyfried about People:
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I've auditioned for roles that involved voice, but I don't like it. I feel like, I can't do this in front of you. It seems so separate - I don't share it with a lot of people. And I'm not into public performances.
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Amber Frey about Opportunity:
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I have been the subject of ridicule. People talk about me and they don't know me and this is an opportunity to tell my story... to have my voice and to set the record straight.
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Amy Jo Martin about Social Media:
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Social media is the ultimate equalizer. It gives a voice and a platform to anyone willing to engage.
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Amy Sherman-Palladino about Voice:
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The thing about 'Gilmore Girls' is that it's such a specific voice, and I lived with it for so long before it got on the air It's a very specific rhythm and a very specific banter.
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Andie MacDowell about Funny:
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It's so funny to get a call from Dustin Hoffman because he has that great voice.
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Andra Day about Music:
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I was heavily influenced by big voices when I was younger. People like Whitney Houston, Aretha Franklin, and Patti Labelle really spoke to me. When I got older, I was into Erykah Badu, Jill Scott, and Lauryn Hill, but it wasn't until I started working with a voice coach that I really dove into jazz music.
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Andra Day about Time:
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When I heard Billie Holiday's voice, Nina Simone's and Ella Fitzgerald's - there was something about their voices to me that was such a different texture than what I was used to listening to at the time. Hearing those jazz voices were so different, and I think I just gravitated toward it.
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Andrae Crouch about Voice:
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Just the way my voice sounds now, it's always had this little hoarse thing to it. And I'd have to do vocal exercises to make my voice clear.
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Andrea Bocelli about Voice:
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Apart from a period of crisis during my adolescence, when my voice was changing and I could not tame it - it was like a kicking foal that does not listen to reason - I have always been told I have a pleasant and recognizable voice.
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Andrea Bocelli about Voice:
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I consider the voice a gift from the heavens, and as all the gifts from the heavens, they must be used, but the minute that the heavens call it back then of course I will stop.
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Andrea Bocelli about Money:
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I first started playing in piano bars for three reasons - to make money, to be in the company of my friends - and also to hook up with young girls. I always knew, even before I played in piano bars, about the effect of my voice.
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Andrea Bocelli about Yourself:
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Listen to what others tell you about your voice. If you're only singing to please yourself, you might as well just sing under the shower. But if you're singing for others, you are reliant on them to ask you to sing.
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Andrea Bocelli about People:
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The voice is something very mysterious. It's difficult to say what is inside a voice that moves people.
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Andrea Bocelli about Passion:
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To sing opera, one needs two things: the voice and the passion - and above all, the passion.
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Andrea Bocelli about Myself:
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Very often, I recognize many, many defects, so I try to improve myself every day. I think my voice is very communicative.
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Andrea Bocelli about Time:
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When you're on stage singing, you're naked. Your voice is something very intimate, and that's why I'm scared every time before I perform. It doesn't matter if I'm singing for a king or a queen or the Pope, it's enough to be in front of anybody. I suffer, but I can't do anything about it.
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Andrea Hirata about Voice:
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It took me six novels before I felt confident of my voice as a writer.
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Andrea Seigel about Library:
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I'd go to the library so I could sit in a big, quiet room and listen to pages being turned. There was a boring librarian who everyone in fifth grade hated. But I loved her because when she would read us stories in her soft voice, she'd turn my head into a snow globe.
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Andres Segovia about Color:
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The guitar is a small orchestra. It is polyphonic. Every string is a different color, a different voice.
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Andrew Dost about Voice:
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I think of a band like Animal Collective where they really follow their own sound and I think that's a really important thing to do. You can find an audience if you can find your voice.
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Andrew Dost about Best:
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In general, we like to play as a band - guitar, piano, and voice. We also tour with a bass player, a drummer, and somebody who plays keyboard and guitar. We try to play all of our parts and flesh it out to get a lush sound, while also keeping the energy of a three-piece punk act. We want to be the best of all possible worlds.
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Andrew Lloyd Webber about Time:
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Because her voice is, it's like the muscles and it develops all the time. That was the fantastic thing for us.
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Andrew O'Hagan about Poetry:
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I had always been literary, in the sense of loving poetry and discovering novels, but I found my voice, as they say, in an office full of elderly people who looked after blind ex-servicemen.
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Andy Sawford about Change:
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We need a stronger national voice for social workers which leads to a change in how the profession is viewed and its ability to represent itself to other professional bodies and with central government.
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Andy Serkis about Day:
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Not a day goes by where I'm not reminded of Gollum by some person in the street who asks me to do his voice or wants to talk to me about him. But because 'The Hobbit' has been talked about as a project for many years, I knew that at some point I'd have to reengage with him.
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Andy Serkis about Work:
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Originally when I went off to work on 'The Lord of The Rings' I got a call from my agent saying that I was just going to do a voice. But I couldn't really approach it like that. To get Gollum's voice I had to play the character.
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Andy Serkis about Morning:
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People will come up to me and try and be secretive and say, 'Can you do the Gollum voice for me?' And I'm like, 'Are you kidding? It's 8:30 in the morning on the Victoria Line.'
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Andy Serkis about Character:
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When you do animation - well, straightforward animation, although it's not straightforward - the voice for a character or something, they're always singular experiences, really.
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Andy Stern about Immigration:
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I'll never run for office. But I intend, either on the fiscal commission or on issues like immigration, to hopefully have my voice be heard.
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Angela Ruggiero about Power:
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I'm able to give a voice to the athletes around the world - use my degree for something other than the power play.
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Angelina Jolie about Control:
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Maleficent was always so elegant. She always was in control. And to play her was difficult. I worked on my voice a lot. She's bigger than me. She's on a different level of performance that I have never done.
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Angie Stone about College:
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The college stations have a big voice, and I would like to become more involved with them. I would like to have symposiums with the members of various college radio stations.
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Anika Noni Rose about Dreams:
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I always dreamed of being a voice in a Disney movie, and even in those dreams, I never once dreamed of being a princess. I just wanted to be a voice.
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Ann Bancroft about Fear:
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Film critics said I gave a voice to the fear we all have: that we'll reach a certain point in our lives, look around and realize that all the things we said we'd do and become will never come to be - and that we're ordinary.
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Ann Demeulemeester about Voice:
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Things aren't interesting if you level them. It's the voice that's interesting.
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Ann Kirkpatrick about Voice:
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I have always been an independent voice for the folks in my district.
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Ann Patchett about Sleep:
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I can write for any magazine now, in any voice. I can do it in two hours, I could do it in my sleep, it's like writing a grocery list.
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Anne Enright about Brain:
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I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain?
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Anne Fadiman about Writing:
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The most important thing when starting out with essay writing is to find a voice with which you're comfortable. You need to find a persona that is very much like you, but slightly caricatured.
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Anne Lamott about Family:
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I was raised in a family where none of us ever raised a voice, so there was no room to express feelings of rage or even unabashed joy - a little bashed joy, here or there, or being mildly disgruntled.
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Annette Bening about I Am:
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We all perform our lives in a way. And the actor is a perfect metaphor to get at that theme of 'how do we find our authentic selves?' And that we all - whether we're actors or not - perform ourselves. As a way of searching. As a way of fumbling around and trying to say, is this my voice? Is this who I am?
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Annie Baker about Impossible:
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I don't enjoy hearing the sound of my voice. The most important things for me are impossible to articulate extemporaneously.
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Annie Golden about Voice:
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If you are a singer and you lose your voice, you realize that you have other skill sets when that is taken out of the equation.
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Annie Lennox about Girl:
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I sang a lot as a little girl and entered competitions. I loved singing in choirs, but it was as I got older that I really found my voice.
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Annie Potts about Art:
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It's an interesting and demanding art to do voices. I have been told so many times that I have a distinctive voice, but of course, I don't hear my own voice as others do, so I don't know.
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Anthony Jeselnik about Good:
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I enjoyed writing for someone else's voice, but I wasn't very good at it.
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Anthony Jeselnik about Past:
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I had written for Jimmy Kimmel and Sarah Silverman in the past. Jimmy had a different voice, and different priorities. He couldn't be the bad guy in the joke, he couldn't upset people, really.
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Anthony Jeselnik about Voice:
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I'm not the voice of reason, I'm more the guy using these offensive topics as fodder to raise tension in a joke.
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Anthony Joshua about Mind:
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The mental is more important than the physical. You know, that voice in your head telling you to give up if it gets tough. That's my main opponent - making sure that if your body wants to stop, your mind won't let you.
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Antoine de Saint-Exupery about Together:
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Transport of the mails, transport of the human voice, transport of flickering pictures-in this century as in others our highest accomplishments still have the single aim of bringing men together.
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Antoine Fuqua about Art:
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I like the platform to show your art and everything that goes along with that. To show your voice and hopefully find films that are more politically driven, films that maybe inspire.
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Anton Seidl about Simple:
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It is simple nonsense to speak of the fixed tempo of any particular vocal phrase. Each voice has its peculiarities.
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Archie Panjabi about Deep:
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I had a dialect coach to get an American accent, and then another dialect coach to come off it a bit. There is something deep and mysterious in the voice when it isn't too high-pitched American.
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Arijit Singh about Voice:
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When my voice breaks, it recovers automatically. I don't do anything special to maintain my voice. I have a natural voice and don't have to take care of it.
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Aristophanes about Voice:
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Characteristics of a popular politician: a horrible voice, bad breeding, and a vulgar manner.
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Aristotle about May:
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Some animals utter a loud cry. Some are silent, and others have a voice, which in some cases may be expressed by a word, in others, it cannot. There are also noisy animals and silent animals, musical and unmusical kinds, but they are mostly noisy about the breeding season.
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Arnaud Desplechin about Gratitude:
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I guess that in this process of trying to incorporate or to be faithful to the films I admire so much, that's how I start to find my own voice. The admiration I have for filmmakers, this gratitude, perhaps that's my only way to become specific.
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Arnaud Desplechin about Work:
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It's hard work to find your own voice and not to copycat anything.
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Arthur Christiansen about Space:
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We never waste space saying, 'On the one hand.' We just state an opinion in a Godlike voice.
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Artie Lange about College:
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I used to be a longshoreman. I didn't go to college. I have a voice that when I say something, it can sound way meaner than you think it is.
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Asif Kapadia about God:
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I don't normally make documentaries. I'm a drama director. I've made a few short docs, but I don't like talking heads or 'voice of God' narrators.
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Astro Teller about Information:
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Google Glass is the wearable computer that responds to voice commands and displays information on a visual display.
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Atticus Shaffer about Character:
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In voiceover, all you have to worry about is your voice and practicing with your voice and then being able to understand what the situation and whatnot is happening. And you have endless amounts of film to perfect the character.
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Aubrey O'Day about Music:
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I have a very pop voice, but there's so much of me I associate mostly with urban music, so I try to blend the two.
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Augustus Hare about Action:
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Only when the voice of duty is silent, or when it has already spoken, may we allowably think of the consequences of a particular action.
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Auli'i Cravalho about Blessing:
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I'm kind of an animated person. I was given this really big blessing that my voice just kind of carries the emotion.
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Ava DuVernay about People:
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Many hated 'Selma.' Just because my voice and the voice of the people I come from is antithetical to so much of what Hollywood produces. I don't think what I'm saying is in particular radical or anything, it's just different from what they want to sell.
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Avan Jogia about Character:
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With voice overs... you're not thinking about the camera. So your voice becomes this thing that you can manipulate. And depending on the character you're doing, it's all concentration on your voice.
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B. B. King about Voice:
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I tried to connect my singing voice to my guitar an' my guitar to my singing voice. Like the two was talking to one another.
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Bam Margera about Funny:
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My uncle is so funny - Don Vito. He was always fat with the craziest voice. Dude, he barely speaks English, it's just full-blown jibber-jabber. It's so funny to watch on TV because you really need subtitles because you can't understand him.
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Barack Obama about Work:
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Take off your bedroom slippers. Put on your marching shoes,' he said, his voice rising as applause and cheers mounted. 'Shake it off. Stop complainin'. Stop grumblin'. Stop cryin'. We are going to press on. We have work to do.
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Barbara Kruger about Art:
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You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.
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Barbara Rosenblat about Book:
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Each author has his or her own voice. I read each book slowly so I can see the patterns they use to spread out the garden of earthly delights.
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Barbra Streisand about Father:
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When I was maybe 5 or 6 years old, the neighborhood girls would sit on the stoop and sing. I was known as the kid who had a good voice and no father.
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Barry Hannah about Best:
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Voice comes to you through a spell, a trance. The best voices are not you... they're a little away from you.
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Barry McGuire about Best:
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If you listen to the left track on their album, if you get The Best of the Mamas and Papas, you listen to the left track, you can still hear a little bit of my voice. My son discovered that once.
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Barton Gellman about Voice:
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When the 'New York Times' revealed the warrantless surveillance of voice calls, in December 2005, the telephone companies got nervous.
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Bea Arthur about Voice:
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Making lasting gifts for animals in our estate plans is perhaps the single most important thing we can do to ensure animals have the strongest possible voice for their protection.
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Bebe Rexha about Voice:
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It's one thing if you write a song and somebody else sings it because you give the OK. But if your voice is on something and you don't get the credit, it's kind of hard.
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Bebe Rexha about Artist:
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It's tough hearing your voice on the radio, on a chorus, and knowing that people think it's another artist.
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Belinda Carlisle about Good:
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However, if you listen to me I think you can hear years of abuse in my voice - both bad abuse and good abuse.
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Bella Thorne about Myself:
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I never saw myself as a singer, I never really thought I had the voice for it.
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Ben Brantley about Life:
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I have received hostile voice mail messages and e-mails. They are often anonymous, I'm sad to say, as anonymous messages are delivered only by very low forms of human life, in my opinion.
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Ben Harper about Voice:
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So it's not so much that I set out to do something different, it's just that the songs themselves require their own individual voice and attention.
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Ben Kingsley about Voice:
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It is better for me to serve a charity as an actor or a voice, rather than at a luncheon being just a celebrity.
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Ben Kingsley about Good:
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With narration, you have to be very accurate with your voice. It's a good exercise to do.
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Ben Lovett about Daughter:
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'Landfill' by Daughter has calming, rich tones that are only improved upon by the gorgeous voice of Daughter.
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Benito Martinez about Fun:
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You know when you bring your voice to different voiceover things like video games and cartoons, and I do tons of stuff like that in voiceovers and whatnot, it's very fun and freeing.
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Benjamin Disraeli about Character:
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There is no greater index of character so sure as the voice.
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Benmont Tench about Faith:
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I was just writing songs because, if a song shows up, you've gotta write it. I didn't know what to do with them. I didn't have any faith in my voice.
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Bernadette Peters about Spring:
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It Might As Well Be Spring... I used to sing that as a young girl in my voice lessons. Then I picked it up again and it spoke to me in a whole new way.
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Bernie Sanders about Media:
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Nowadays you don't need to be a senator or a CEO or a celebrity to have a voice in the media, and if you happen to be a senator, a CEO or a celebrity, you have a thousand people each with their own respective audiences to hold you accountable.
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Bernie Worrell about People:
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People like my voice and say I can sing, but I don't like microphones in front of my face: it distracts me.
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Bertolt Brecht about Life:
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One forgets too easily the difference between a man and his image, and that there is none between the sound of his voice on the screen and in real life.
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Beth Ditto about Fight:
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Even talking, I'm super-loud. I could never have that kind of meek, little wispy whimsical lavender and lace voice. It comes from my body. There's no way I can fight it.
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Beth Ditto about Myself:
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I always was really confident about myself, about my voice, myself as a person, my body, all of those things, but as a songwriter - I just didn't identify as a songwriter at all.
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Betty Buckley about Teacher:
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For one thing, I teach my students what my teacher for twenty years, Paul Gavert, told me, 'The voice follows... the voice follows everything about you... who you are.'
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Betty Buckley about Time:
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T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.
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Betty Buckley about Voice:
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T Bone is genius. The way they've recorded my voice and the instrumentation to these songs is really quite extraordinary.
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Betty Wright about Respect:
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I respect women that have a voice and use it for a proper reason.
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Beverly Sills about Voice:
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My voice had a long, nonstop career. It deserves to be put to bed with quiet and dignity, not yanked out every once in a while to see if it can still do what it used to do. It can't.
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Bill Callahan about Voice:
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I feel like you come in under a cloak of someone else's skin for a while, but then you can shrug it off - you have to find your own voice, if you want to keep doing it. That became a really conscious thing for me.
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Bill Cosby about Women:
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Women don't want to hear what you think. Women want to hear what they think - in a deeper voice.
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Bill Gates about Voice:
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I'm going to save my public voice largely for the issues where I have some depth.
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Bill Hader about Good:
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I remember I could do - I did Bart Simpson once on the bus. I did, like, a really good Bart Simpson voice on the bus, obviously before I hit puberty. And everybody went, 'Whoa, that sounds just like Bart Simpson.'
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Bill Kurtis about Losing:
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We know Roger Ebert loved the 'Sun-Times' and his career as a newspaper columnist. But ironically, it was his illness and losing his voice that caused him to explore another venue.
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Billy Collins about Poetry:
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I know my voice has a limited range of motion, I don't write dramatic monologues and pretend to be other people. But so far, my voice is broad enough to accommodate most of what I want to put into my poetry. I like my persona, I often wish I were him and not me.
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Billy Collins about Poetry:
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Radio is such a perfect medium for the transmission of poetry, primarily because there just is the voice, there's no visual distraction.
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Billy Higgins about Voice:
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You know the drum was the first instrument besides the human voice.
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Billy Mays about Good:
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My voice, my likeness is my livelihood. That's it. I keep it simple. I pick good products.
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Billy West about Voice:
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I've always said that you can't be the new Mel Blanc by doing Mel Blanc's voice.
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Billy West about Change:
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Robin Williams understands sonic performances. He understands what it's like to change your voice up.
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Billy West about Voice:
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Somebody's real voice is probably the hardest one that somebody could attempt.
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Blair Underwood about Past:
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It's just different discipline, just doing the voice over. I guess I've done about 5 or 6 audio books in the past and I do the animated voice for a show called Fatherhood on Nickelodeon.
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Blair Underwood about Voice:
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The voice over is a hat you put on right now as opposed to worrying about going through wardrobe, and having to look a certain way. You just got to let your voice do the talking for you.
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Blythe Danner about Voice:
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Onstage or in films, you do affect peoples' lives, and sometimes that's very gratifying. But still, there's this little voice that says you should be doing something that matters.
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